| Title | 4. A Breath of Fresh Air… Ivan Vyrypaev's Oxygen (2002) |
|---|---|
| Subtitle | From Moscow to Birmingham via Oxford |
| Contributor | Rajinder Dudrah(author) |
| Julie Curtis (author) | |
| Philip Ross Bullock (author) | |
| Noah Birksted-Breen (author) | |
| DOI | https://doi.org/10.11647/OBP.0206.04 |
| Landing page | https://www.openbookpublishers.com/books/10.11647/obp.0206/chapters/10.11647/obp.0206.04 |
| License | https://creativecommons.org/licenses/by/4.0/ |
| Copyright | Rajinder Dudrah; Julie Curtis; Philip Ross Bullock; Noah Birksted-Breen |
| Publisher | Open Book Publishers |
| Published on | 2020-05-20 |
| Long abstract | Chapter 4 investigates interaction between languages in the performing arts – theatre, stand-up comedy, grime, rap, opera – and the types of creativity this generates in response to cultural contexts and audiences, drawing on media and performance studies, and working with artists ranging from Russian dramatists to Black British and British Asian musicians from Birmingham and Leicester. |
| Page range | pp. 87-108 |
| Print length | 21 pages |
| Landing Page | Full text URL | Platform | |||
|---|---|---|---|---|---|
| https://www.openbookpublishers.com/books/10.11647/obp.0206 | Landing page | https://www.openbookpublishers.com/10.11647/obp.0206.04.pdf | Full text URL | Publisher Website |