Skip to main content
punctum books

Dear Kafka

Export Metadata

  • ONIX 3.1
    Cannot generate record: No publications supplied
  • ONIX 3.0
    • Thoth
      Cannot generate record: No publications supplied
    • Project MUSE
      Cannot generate record: No BIC or BISAC subject code
    • OAPEN
      Cannot generate record: Missing PDF URL
    • JSTOR
      Cannot generate record: No BISAC subject code
    • Google Books
      Cannot generate record: No BIC, BISAC or LCC subject code
    • OverDrive
      Cannot generate record: No priced EPUB or PDF URL
  • ONIX 2.1
    • EBSCO Host
      Cannot generate record: No PDF or EPUB URL
    • ProQuest Ebrary
      Cannot generate record: No PDF or EPUB URL
  • CSV
  • JSON
  • OCLC KBART
  • BibTeX
  • CrossRef DOI deposit
    Cannot generate record: This work does not have any ISBNs
  • MARC 21 Record
    Cannot generate record: MARC records are not available for chapters
  • MARC 21 Markup
    Cannot generate record: MARC records are not available for chapters
  • MARC 21 XML
    Cannot generate record: MARC records are not available for chapters
Metadata
TitleDear Kafka
ContributorAnnie Malcolm(author)
DOIhttps://doi.org/10.53288/0466.1.13
Landing pagehttps://punctumbooks.com/titles/redacted-writing-in-the-negative-space-of-the-state/
Licensehttps://creativecommons.org/licenses/by-nc-sa/4.0/
CopyrightAnnie Malcolm
Publisherpunctum books
Published on2024-10-27
Long abstractA Chinese painter who called himself Kafka comes out to me in an art village in Shenzhen. It’s a pained coming out — full of loss and hesitation. I write him a letter, an exercise in reflecting on the forms of redaction that take place as a queer in queer-unfriendly spaces, and those that take place as part of the ethnographic practice.
Page rangepp. 189–192
Print length4 pages
LanguageEnglish (Original)
Keywords
  • coming out
  • painting
  • China
  • queer lives
  • pain
  • ethnography
Contributors

Annie Malcolm

(author)

Annie Malcolm, PhD, is a writer, researcher, and educator. Her doctoral dissertation in anthropology is an ethnography of an art village in South China. She has published her writing in Quartz, SFMOMA, Yishu: Journal of Contemporary Chinese Art, and Expose Art Magazine. She has taught anthropology at UC Berkeley and curated an exhibition at Minnesota Street Project in San Francisco. She currently writes for visual artists in the Bay Area and conducts research on community healing, journalism, and wellbeing.