Digital editing and publishing in the twenty-first century
- James O'Sullivan(editor)
- Michael Pidd(editor)
- Sophie Whittle(editor)
- Bridgette Wessels(editor)
- Michael Kurzmeier (editor)
- Órla Murphy(editor)
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Title | Digital editing and publishing in the twenty-first century |
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Contributor | James O'Sullivan(editor) |
Michael Pidd(editor) | |
Sophie Whittle(editor) | |
Bridgette Wessels(editor) | |
Michael Kurzmeier (editor) | |
Órla Murphy(editor) | |
DOI | https://doi.org/10.62637/sup.GHST9020 |
Landing page | https://books.sup.ac.uk/sup/catalog/book/sup-9781917341073 |
License | https://creativecommons.org/licenses/by-nc/4.0/ |
Copyright | James O’Sullivan, Michael Pidd, Sophie Whittle, Bridgette Wessels, Michael Kurzmeier and Órla Murphy |
Publisher | Scottish Universities Press |
Published on | 2025-04-29 |
ISBN | 978-1-917341-04-2 (Paperback) |
978-1-917341-05-9 (Hardback) | |
978-1-917341-07-3 (PDF) | |
978-1-917341-06-6 (EPUB) | |
Short abstract | The craft of scholarly editing is once more facing into a time of upheaval. The increasingly digital nature of cultural and knowledge production means that textual scholars, editors, and publishers need to further reimagine the collective craft of edition making. This twenty chapter volume contributes to such reimagining by offering a series of timely reflections on the current state and future of the edition and how it is shared in contemporary contexts. |
Long abstract | Despite recent calls to explore the full potential of digital text, digital scholarly editing and publishing remain rooted in the cultural and structural logics of print. This volume provides a wide range of perspectives on the current state and future of the field in an effort to further that dialogue, and to encourage continued exploration of how we make and share knowledge and meaning in the digital age. Digital editing and publishing in the twenty-first century brings together twenty chapters that cover practical design processes and conceptual approaches to editing born-digital material. The collection also engages with timely, important, and often-neglected topics, including accessibility, artificial intelligence, queer approaches to editing, and the data edition. By recognising the valuable insights and knowledge that can be gained from scholarly digital editions and by understanding the opportunities of their creative use, this volume emphasises how they can be made more widely available and relevant in various contexts beyond academia. |
Print length | 448 pages |
Language | English (Original) |
Dimensions | 156 x 25 x 234 mm | 6.14" x 0.98" x 9.21" (Paperback) |
156 x 29 x 234 mm | 6.14" x 1.14" x 9.21" (Hardback) | |
Weight | 625g | 22.05oz (Paperback) |
804g | 28.36oz (Hardback) | |
Media | 14 illustrations |
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- Andrew Prescott
- Cathy Moran Hajo
- Helen Abbott
- Jennifer Edmond
- Aengus Ward
- Michelle Doran
- Rebecca Mitchell
- Raffaele Viglianti
- Gimena del Rio Riande
- Jennifer Stertzer
- Erica Cavanaugh
- Martin Holmes
- Alison Chapman
- Kaitlyn Fralick
- Kailey Fukushima
- Narges Montakhabi Bakhtvar
- Sonja Pinto
- Bartłomiej Szleszyński
- Agnieszka Szulińska
- Marta Błaszczyńska
- Elena Spadini
- José Luis Losada Palenzuela
- Simone Zenzaro
- Angelo Mario Del Grosso
- Federico Boschetti
Digital editing and publishing in the twenty-first century as a cooperative for small-scale editions
- Juniper Johnson
- Neal Millikan
- Serenity Sutherland
- Ondine Le Blanc
- Aodhán Kelly
- Lindsay Ann Reid
- Justin Tonra
- Caterina Agostini
- Paul Israel
- Kelly J. Plante
- Karenza Sutton-Bennett
- James O'Sullivan
- Sophie Whittle
Landing Page | Full text URL | Platform | |||
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Paperback | https://books.sup.ac.uk/sup/catalog/book/sup-9781917341073 | Landing page | Publisher Website | ||
Hardback | https://books.sup.ac.uk/sup/catalog/book/sup-9781917341073 | Landing page | |||
https://books.sup.ac.uk/sup/catalog/book/sup-9781917341073 | Landing page | https://books.sup.ac.uk/sup/catalog/download/sup-9781917341073/7/51?inline=1 | Full text URL | Publisher Website | |
EPUB | https://books.sup.ac.uk/sup/catalog/book/sup-9781917341073 | Landing page | https://books.sup.ac.uk/sup/catalog/view/sup-9781917341073/8/49 | Full text URL | Publisher Website |
James O'Sullivan
(editor)James O’Sullivan lectures in the Department of Digital Humanities at University College Cork, where he is Director of Research for the School of English and Digital Humanities, as well as a member of the Research and Innovation Committee for the College Arts, Celtic Studies and Social Sciences. He is a member of the board of the Future Humanities Institute, for which he leads the Digital Cultures, New Media, and Cultural Analytics research cluster. He is the author of 'Towards a Digital Poetics' (Palgrave Macmillan 2019). James has edited several collections of scholarly essays, including 'The Bloomsbury Handbook to the Digital Humanities' (Bloomsbury 2023) and 'Technology in Irish Literature and Culture' (Cambridge University Press 2023). He is the Principal Investigator (Ireland) on 'C21 Editions: Editing and Publishing in the Digital Age', funded under the UK-Ireland Collaboration in the Digital Humanities. See www.jamesosullivan.org for more on his work.
Michael Pidd
(editor)Michael Pidd is Director of the Digital Humanities Institute at the University of Sheffield. He has nearly 30 years of experience in developing, managing and delivering large collaborative research projects and technology R&D in the humanities and heritage subject domains. During that time the DHI has been the technical partner in over 120 national and international projects with over 100 clients. He is the Principal Investigator (UK) on 'C21 Editions: Editing and Publishing in the Digital Age', funded under the UK-Ireland Collaboration in the Digital Humanities. Michael was Principal Investigator on the following projects: 'Connecting Shakespeare' (HEIF), Dewdrop (Jisc), 'Reinventing Local Public Libraries' (HEIF), and 'Manuscripts Online' (Jisc); as well as Co-Investigator on 'Intoxicants and Early Modernity' (ESRC/AHRC), 'Linguistic DNA' (AHRC), 'Beyond the Multiplex' (AHRC) and 'Ways of Being in the Digital Age' (ESRC). He has been the technical lead on a wide number of projects, such as 'Digital Panopticon' (AHRC).
Sophie Whittle
(editor)Sophie Whittle is a Research Associate on 'C21 Editions: Editing and Publishing in the Digital Age' project, responsible for developing a prototype online teaching edition of Geoffrey Chaucer’s Pardoner’s Prologue and Tale using machine assisted methods. Sophie has taught on modules in the history of English, historical pragmatics, research methods and syntax. She has co-ordinated interdisciplinary workshops on centring anti-racist research in the linguistics curric-ulum, inviting speakers from across the globe to present their research on the pragmatics of postcolonial communities, language and culture sharing and human rights, and has since become a member of the Linguistic Association of Great Britain’s racial justice subcommittee. She is also an organiser at the Sheffield Feminist Archive, and has recently contributed to the creation of a digital archive named 'Women in Lockdown', a project that houses women’s stories and experiences of the pandemic via oral history, testimony, diary entries and artwork submissions.
Bridgette Wessels
(editor)Bridgette Wessels is Professor of Sociology and Social Inequalities at the University of Glasgow, UK. Her research focuses on the development and use of digital technology and services in social and cultural life. This includes digital services and communication in the public sphere, everyday life and civic life, social and digital inequalities, as well as specific areas such as telehealth, mobile communication and privacy in digital communication. She is co-lead of the ESRC’s Productivity Institute’s Scottish Forum, as well as a founding member of the Digital Technology and Social Change hub of the European University Alliance CIVIS network. She has a strong track record of research funding from UKRI and the EU, as well as other research foundations. Bridgette is a Co-Investigator on 'C21 Editions: Editing and Publishing in the Digital Age', funded under the UK-Ireland Collaboration in the Digital Humanities.
Michael Kurzmeier
(editor)Michael Kurzmeier is Postdoctoral Research Fellow on the 'C21 Editions: Editing and Publishing in the Digital Age' project. His work revolves around the intersections of technology and society. His IRC-funded PhD thesis, 'Political Expression in Web Defacements', investigated political expression through hacking and introduces novel methods for retrieval and analysis of this special kind of archived web material. Michael is a chair of the research methods work group at the Aarhus-led Web ARChive studies network, researching web domains and events (WARCnet), as well as one of the founders of the Engaging with Web Archives (EWA) conference, Ireland’s first dedicated web archiving conference.
Órla Murphy
(editor)Órla Murphy is Head of the School of English and Digital Humanities, University College Cork. Her EU international leadership as service roles include National Co-ordinator of the Digital Research Infrastructure for the Arts and Humanities, National Representative and vice chair on the Scientific Committee of CoST-EU, Cooperation in Science and Technology and National Representative on the Social Science and Humanities Strategy Working Group of the European Strategy Forum on Research Infrastructures. Nationally, she is a board member of the Digital Repository of Ireland and co-chair of The Arts and Culture in Education Research Repository. Órla is a Co-Investigator on 'C21 Editions: Editing and Publishing in the Digital Age', funded under the UK-Ireland Collaboration in the Digital Humanities.