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Frictions: Inquiries into Cybernetic Thinking and Its Attempts towards Mate[real]ization - cover image
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meson press

Frictions: Inquiries into Cybernetic Thinking and Its Attempts towards Mate[real]ization

  • Diego Gómez-Venegas(editor)
  • Andrei Cretu (author)
  • Wolfgang Ernst (author)
  • Thomas Fischer (author)
  • Hans-Christian von Herrmann(author)
  • Stefan Höltgen(author)
  • Rolf F. Nohr(author)
  • Eva Schauerte (author)
  • Isabell Schrickel (author)
  • Sebastian Vehlken (author)
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  • ONIX 3.1
  • ONIX 3.0
    • Thoth
    • Project MUSE
    • OAPEN
    • JSTOR
    • Google Books
    • OverDrive
      Cannot generate record: No priced EPUB or PDF URL
  • ONIX 2.1
    • EBSCO Host
    • ProQuest Ebrary
  • CSV
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  • OCLC KBART
  • BibTeX
  • CrossRef DOI deposit
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  • MARC 21 Markup
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Metadata
TitleFrictions
SubtitleInquiries into Cybernetic Thinking and Its Attempts towards Mate[real]ization
ContributorDiego Gómez-Venegas(editor)
DOIhttps://doi.org/10.14619/2164
Landing pagehttps://meson.press/books/frictions/
Licensehttps://creativecommons.org/licenses/by-sa/4.0/
CopyrightDiego Gómez-Venegas
Publishermeson press
Publication placeLüneburg
Published on2023-09-29
ISBN978-3-95796-216-4 (Paperback)
978-3-95796-217-1 (PDF)
Short abstractFrictions is a collective invitation to embrace the space of difference that both connects and separates techno-scientific discourses from their actual implementations—or even, from their non-implementations. Through a series of case studies focused on cybernetics, systems research, and some of their more contemporary inheritors, this book argues that such a middle space, the topology of frictions, offers significant insights to assess the historical and epistemological relevance of these interconnected fields. Characterized here as cybernetic thinking, this broad area of theoretical and applied projects would conceal, precisely within its frictions, the operational principles of our present.
Long abstractFrictions is a collective invitation to embrace the space of difference that both connects and separates techno-scientific discourses from their actual implementations—or even, from their non-implementations. Through a series of case studies focused on cybernetics, systems research, and some of their more contemporary inheritors, this book argues that such a middle space, the topology of frictions, offers significant insights to assess the historical and epistemological relevance of these interconnected fields. Characterized here as cybernetic thinking, this broad area of theoretical and applied projects would conceal, precisely within its frictions, the operational principles of our present.
Print length204 pages
LanguageEnglish (Original)
Dimensions127 x 178 mm | 5" x 7.01" (Paperback)
THEMA
  • JBCT
  • GPFC
BIC
  • JFD
  • GPFC
BISAC
  • SOC052000
  • COM017000
LCC
  • P87-96
Keywords
  • media archaeology
  • cybernetics
  • systems research
  • media theory
  • media history
Funding
  • Humboldt-Universität zu Berlin
  • Programme: Open Access Publication Fund
Contents

Introduction: Cybernetic Thinking and Its Frictions

(pp. 7–17)
  • Diego Gómez-Venegas

From Delphi to ORAKEL: A Brief Media History of Computer Democracy

  • Eva Schauerte

From Cybernetics to Sustainability: Negotiating the World Problematic at IIASA (1972–1989)

(pp. 37–59)
  • Isabell Schrickel

Social Supercolliders: On the Promises and Pitfalls of Grand-Scale Participatory ICT Projects

(pp. 61–89)
  • Sebastian Vehlken

Encoding from/to the Real: On Cybersyn’s Symbolic Politics of Transmission

(pp. 91–117)
  • Diego Gómez-Venegas

On the Notion of Cybernetic Frictions and its Role in Radical Media Archaeology

(pp. 119–130)
  • Wolfgang Ernst

Teaching Machines: Learning as Subjective Technique and Feedback Loop

(pp. 133–160)
  • Stefan Höltgen
  • Rolf F. Nohr

The Ashby Box: A Contextualization and Speculative Remake

(pp. 163–193)
  • Thomas Fischer
  • Andrei Cretu

Epilogue: The Cybernetic Revolution

(pp. 195–202)
  • Hans-Christian von Herrmann
Locations
Landing PageFull text URLPlatform
PDFhttps://meson.press/books/frictions/Landing pagehttps://meson.press/wp-content/uploads/2023/08/978-3-95796-217-1-_Frictions.pdfFull text URL
https://library.oapen.org/handle/20.500.12657/88720Landing pagehttps://library.oapen.org/bitstream/handle/20.500.12657/88720/978-3-95796-217-1-_Frictions.pdf?sequence=1&isAllowed=yFull text URLOAPEN
Contributors

Diego Gómez-Venegas

(editor)
PhD candidate at Humboldt-Universität zu Berlin
https://orcid.org/0000-0001-5640-204X

Diego Gómez-Venegas is a PhD candidate at the Institute of Musicology and Media Sciences (Media Sciences section) of Humboldt-Universität zu Berlin. His work focuses on the mediaarchaeo-genealogical traces of cybernetics and its links to our contemporary condition.

Andrei Cretu

(author)
Teaching Assistant Professor at The Ohio State University

Andrei Cretu is a teaching assistant professor in the Department of Slavic and East European Languages at The Ohio State University and a recipient of the American Society for Cybernetics’ Heinz von Foerster Award. His research focuses on communication theory and the mathematical modeling of language.

Wolfgang Ernst

(author)
Chair of Media Theories at Humboldt-Universität zu Berlin

Wolfgang Ernst is chair of Media Theories at Humboldt-Universität zu Berlin. His research covers media archaeology as method, theory of technical storage, technologies of cultural transmission, micro-temporal media aesthetics, critique of history as master discourse of cultural and technological time, and sound analysis from a media-epistemological perspective.

Thomas Fischer

(author)
Professor at the School of Design at Southern University of Science and Technology

Thomas Fischer is a professor at the School of Design at the Southern University of Science and Technology, a fellow of the Design Research Society, and recipient of the American Society for Cybernetics’ Warren McCulloch Award. His research focuses on design computing, design cybernetics, and digital media.

Hans-Christian von Herrmann

(author)
Chair of Literary Studies (Literature and Science) at Technische Universität Berlin
https://orcid.org/0000-0001-5744-3433

Hans-Christian von Herrmann holds the chair of Literary Studies (Literature and Science) at Technische Universität Berlin. His work focuses on the change in literary culture in the age of cybernetization, practices of automation in the arts since the late 19th century, and the effects of planetarization associated with modern technology.

Stefan Höltgen

(author)
University of Bonn
https://orcid.org/0000-0001-8669-8507

Stefan Höltgen (PhD, ScD) is scholar for media science at University of Bonn. He researches and teaches media and computer archaeology, and works as scientific advisor for the Oldenburg Computer Museum.

Rolf F. Nohr

(author)
Professor of Media Aesthetics and Media Culture at Braunschweig University of Art
https://orcid.org/0000-0002-3817-4706

Rolf F. Nohr is professor of Media Aesthetics and Media Culture at HBK Braunschweig, and an external affiliate at the College of Humanities of University of Arizona. His work focuses on media evidence processes, game studies and instantaneous images.

Eva Schauerte

(author)

Eva Schauerte is a media and cultural historian with a focus on media history of computer democracy. In the past she held research positions at the Institute for Media Culture Studies at Albert-Ludwigs-University Freiburg (2011–2016), and at IKKM (2016–2020). Currently, she works for the Senate Chancellery of Bremen.

Isabell Schrickel

(author)
PhD candidate at Leuphana University of Lüneburg

Isabell Schrickel is a PhD candidate at the Center for Global Sustainability and Cultural Transformation (Leuphana University / Arizona State University). Isabell was visiting fellow at Harvard’s Department of the History of Science and at IKKM. Her work historicizes environmental sciences, modeling and simulation, and the evolution of sustainability thinking.

Sebastian Vehlken

(author)
Professor of Knowledge Processes and Digital Media at University of Oldenburg

Sebastian Vehlken is professor of Knowledge Processes and Digital Media at Universität Oldenburg, and head of the program area Ships as Knowledge Repositories at the German Maritime Museum/Leibniz-Institute for Maritime History. His research interests include the media history of computer simulation, media of futurology, and oceans as knowledge spaces.

UK registered social enterprise and Community Interest Company (CIC).

Company registration 14549556

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